Sony Professional HVR-Z1U 3CCD High...
Sony Professional HVR-Z1U 3CCD High Definition...

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Sony Professional HVR-A1U CMOS High...
Sony Professional HVR-A1U CMOS High Definition...

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Canon XH-A1S 3CCD HDV High Definition...
Canon XH-A1S 3CCD HDV High Definition...

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Price: Too low to display
  • Genuine Canon 20x HD video zoom lens with Professional L Series Fluorite; Independent manual focus. zoom, and iris ring
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Canon VIXIA HF200 HD Flash Memory...
Canon VIXIA HF200 HD Flash Memory Secure...

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Sony HVR-V1U  3-CMOS 1080i...
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Editing House: IMovie Announced For IPhone 4

GDGT

iMovie, as announced at WWDC 2010, will allow for the iMovie editing experience right from your new Retina Display touch screen.  iMovie for the iPhone 4 will remain a timeline focused editing system where you can take videos and photos that you have on your iPhone 4 and drop them into the timeline.  What makes iMovie for the iPhone significant here is that the standard theory and design for video editing, though very limited when compared to professional video editing programs like Final Cut Pro 7, will be consistent.  You will be able to stack and alter clips, arranging them all into the movie you would finally like to see. 

What is unique about iMovie for the iPhone 4 is really what is unique about the iPhone technology itself.  The "pinch" function that most people associate with enlarging or shrinking displays on the iPhone, especially through safari, have a detailed function in iMovie.  Here you can use the pinch function to add photo motion to an item in your iMovie project, which could act as adding a slow zoom to a picture in place.  More than this you can see that just watching the film and working with it on the iPhone is creating an experience that is different than the way we have consumed this media for decades.  With the iPhone 4's location features iMovie will be able to identify and insert geo-locations into the film itself.  This is of a level that is built for revolutionizing the very passive nature of watching video programming.

via iSmashPhone (blog)

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Canon VIXIA HV30 HD Camcorder ReviewI had a gamble a accidentally to to shoot B-Roll with the Canon HV30 on a short talkie for a 48 Hour Film project against a professional JVC HD100 camcorder.

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What makes professional camcorders HD?


No. There is no advanced lens to make the LX 1 into a HD camera. HD is determined by the sensor in the camera, not the lens. The reason why it is considered a Pro level camera is because of all onboard manual controls.

You many want to consider a Panasonic GH1 or Canon 5D mark II. They both take excellent quality video and are a lot smaller.

Video samples

http://vimeo.com/5981422


Video resolution is measured using horizontal line count.

Less than 480 horizontal lines is less than standard definition video.
480 is NTSC standard definition.
Anything above 480 horizontal lines is high definition - typically, this is either 720 or 1080 horizontal lines.

The camcorder must be designed to deal with the different video quality, higher line count, horizontal line count resolutions. This means the imaging chip and internal electronics must be designed for the resolution desired. The Canon XL1 is an NTSC standard def camcorder. The best it will ever do is standard definition, DV format, video onto that miniDV tape. The high definition replacement for the XL1 is in the Canon XLH series which can do 1080 horizontal line, HDV format, high definition video. The Canon XHA series is a good work-horse HDV camcorder at the low-end pro area.

Sony has a consumer line that starts with "HDR". The CX series uses flash memory. The XR series uses hard disc drive and the HC and FX series use miniDV tape. The FX series are the higher end "prosumer" cams - like the HDR-FX7 and HDR-FX1000. The Sony HVR series is from their pro line up. The HVR-A1 and HVR-HD1000 - in my opinion - are closer to "consumer" than anything else because of their small lenses and single CMOS imaging chip. But the HVR-Z1, HVR-Z5 and and HVR-Z7 are most definitely HDV.

So... Which high definition Sony camcorder "for 400 more" are you referring to?

Professional Video Advice. HD camcorders for around $4000.?


The Red Scarlet - and the various attachments - is out of your price range.

If you don't care about archiving the video for long term, or, if you can afford to buy and maintain a good RAID1 or better NAS or other highly redundant storage system for long term video storage, then I suppose miniDV tape is unnecessary. Personally, I don't trust the cloud security or stability, yet, and NAS units are only just now coming to small business/home use... and I prefer keeping the digital tape masters in an environmentally controlled cool, dry, secure, place for long term storage.

The last update to the Canon line was the introduction of the XLH series a couple of years ago. The XHA1 has been doing well for a while. Whether they will update soon is a good question - pro grade cameras are not subject to the consumer elasticity we are used to with their annual updates.

Speaking of which - the video compression applied to the digital stream is what the camcorder manufacturers want to make it. At the poor video side of the scale are the Panasonic anemic AVCHD camcorders they try to pass off as "pro". But the Panasonic AG-HVX200 is a good one. Then there are those that use DV/HDV (just like miniDV tape) - check the HVR-Z7, and you already know the XHA1 is a miniDV tape based HDV system... then there is less compression - in the JVC GY-HM100.

If you plan to capture all your audio onboard the camcorder, I would stay away from the DSLRs. Their video looks good, but at the moment, their audio options are not so good. If you plan to capture all your audio offboard (like onto a Fostex or other manufacturer) audio field recorder, then the onboard audio does not matter.

Others suggestions:
Sony HVR Z1U (recently discontinued, but a long-time workhorse).
Sony HVR-Z5U (miniDV tape based)

You already know the others (Panny HVX200, Canon XLH, JVC GY-HM series...)

Don't spend your entire budget on the camera.
Tripod, SteadyCam/GlideCam vest system, camera crane - or some other steadying systems.
Mics - shotgun, wireless lavs, stereo, etc...
Lights, mounts, cases... You can easily spend as much on the accessories as you did on the camcorder. I have also found multi-camera shoots to be fun... (I use a Sony HDV-FX1 - the Z1U's consumer sibling and a HDR-HC1 - the A1U's consumer sibling - may times, simultaneously)...